This piece does exactly what “Tashan” is… great stars, great styling, great songs and great visuals work as long as the script is great, the script is bits n piece from here n there with snippets of (some sort of) originality…..
First Impression is Last Impression, Anil Kapoor rocks…
Tashan is a good piece of entertainment. It does not boast of sensibility but its entertainment spelt with a big "E" and Anil Kapoor steals the thunder. Tashan works because of Anil Kapoor. He shows why he is such a great actor. I do not think anyone could do justice to the role of Bhayyaji other than Anil Kapoor.
Leave your brains out and watch Tashan, its a total entertainment and I could see that in the movie hall. Everytime "Bhayyaji-Anil Kapoor" came on the scene, the people were glued to the screen and sitting upstraight. Anil Kapoor makes Tashan watchable. He just shows the difference between Men and boys. Akshay and Saif just dont match him in his histronics.
Akshay Kumar, is of course, a complete thespian by now, and he lifts every scene that he’s in. His Ravan entry is phenomenal in comic scale, and kudos to the writers for his character. It’s Pande’s (and Bhaiyyaji’s to a certain extent ) mythological references in the movie that remind us of the constant parallels that 70s action movies were trying to emulate. Good guy versus bad guy, guru and shishya, damsel in distress. His take on the dehati is the perfect foil to Saif’s ‘cool dude’ Indian trying to be American, and gives some of the most thought-provoking nuggets about the value and pre-conceptions attached to English in India, and the prejudices that might invoke.
Tashan is a spoof… or is it?
That’s the question most of us kept asking after we walked out of the cinema hall. It is quite evident that the film was drawing upon a lot of Hindi movies.
There are some really funny moments too – like the part, which is very evidently a take-off on Don. The ACP tells Saif that he’s the only one in the police department who knows Saif is on their side… and gets killed in the very next frame.
But somehow, unlike Om Shanti Om, Tashan fails to strike the chord and instead goes off on a tangent. For instance, the film follows the ‘pharmoola’ of a con girl taking a guy for a ride and falling for him and then by introducing the childhood sweetheart track, falls for the very thing its spoofing.